Josh Freese: The Ultimate Session Drummer
Few drummers in the modern era have had as prolific and diverse a career as Josh Freese. With a staggering 400+ album credits, live performances with some of the biggest names in music, and a signature style that blends precision with raw energy, Freese has firmly established himself as one of the most in-demand drummers of all time.
Freese’s ability to seamlessly move between genres—whether it’s the aggressive punch of punk rock, the intricate arrangements of progressive rock, or the tight grooves of pop music—has made him a sought-after session musician and a staple in the recording industry. His work spans from fast-paced punk beats with The Vandals to heavy, atmospheric rhythms for A Perfect Circle, to mainstream radio anthems with Kelly Clarkson.
Beyond just being a drummer, Freese is a complete musician with a deep understanding of songwriting, arrangement, and production. His expertise with percussion instruments, from the classic drum kit to electronic drum setups like the Simmons, has allowed him to adapt to the evolving sound of modern music.
Check out Josh at 12 years old drumming in this Simmons ad:
He’s worked with MIDI controllers, drum machines, and software like Logic Pro and Ableton Live, often incorporating loops and electronic textures into his drumming.
Producers and artists alike praise Freese not just for his technical prowess but for his musical intuition. He instinctively knows when to lay back on a groove, when to push the tempo, and when to unleash a dynamic, show-stopping fill. Whether it's a tight, metronomic rhythm for a dance track, a thunderous snare drum hit in a rock anthem, or the subtle swing of a jazz shuffle, Freese delivers exactly what the song needs.
His drumming is more than just technical perfection; it’s about feel, energy, and attitude. Whether he's playing on a vintage kit for a folk music record, slamming double bass on a metal track, or crafting delicate brushwork on a jazz-inspired project, Freese approaches every session with the same dedication. His ability to play with a wide range of dynamics, his deep knowledge of time signatures, and his love for both acoustic and electronic percussion make him a true musical chameleon.
In an industry where adaptability is key, Freese has mastered the art of blending in while still leaving his unmistakable fingerprint on every song he touches. From rock concerts to studio sessions, from reggae grooves to pop rock anthems, Josh Freese isn't just playing drums—he’s shaping the very sound of modern music.
From Disneyland to Rock Royalty
Born on December 25, 1972, in Orlando, Florida, Josh Freese was destined for a life immersed in music. His father, Stan Freese, was a highly respected musician, serving as the bandleader at Walt Disney World before later taking on a similar role at Disneyland in California. Growing up in a household where music was more than just background noise, young Josh was surrounded by a rich tapestry of sounds—from the jazz and soul music his father played on the Hammond organ to the orchestral compositions that filled the Disneyland parks.
It wasn’t long before Freese gravitated toward percussion instruments, developing an early fascination with the drum kit. By the time he was a child, he was already experimenting with rhythm, hitting anything that resembled a snare drum or cymbal. His first real exposure to professional musicianship came through the Disneyland network, where he witnessed firsthand the precision and discipline required to be a working musician. With influences ranging from jazz greats like Steve Gadd to rock legends like John Bonham and Stewart Copeland, Freese quickly became obsessed with mastering his craft.
By the time he was 12, he was already practicing with serious intent, devouring drum tutorials, breaking down grooves from his favorite drummers, and fine-tuning his timing, dynamics, and feel. As he honed his chops, he became increasingly drawn to the energy of rock and punk music, often playing along to records by bands like The Police, The Clash, and early punk pioneers.
At just 15 years old, Freese landed his first professional gig—playing drums at Disneyland. While many teenagers were spending their summers at the beach or working in retail, Freese was holding down the rhythm section in front of live audiences, gaining valuable experience playing with seasoned musicians. This opportunity gave him real-world exposure to different musical styles, from jazz to pop rock to folk music, all while sharpening his ability to adapt on the fly.
But while Disneyland provided a structured, disciplined musical foundation, Freese had bigger dreams. He wanted to play rock shows, tour, and record albums. By the late 1980s, he found his opportunity with The Vandals, an irreverent punk band known for their fast tempos, aggressive energy, and satirical lyrics. Joining The Vandals was a turning point, and his raw, hard-hitting drumming became an essential part of their sound. His powerful bass drum kicks, razor-sharp snare hits, and relentless energy helped drive the band’s live performances to new heights.
It didn’t take long for people to notice. Word quickly spread in Los Angeles about this young drummer with impeccable timing, a deep understanding of groove, and an effortless ability to play with speed and intensity. Soon, producers and record labels began calling. His transition from a local punk drummer to an in-demand session musician was swift, thanks to his ability to seamlessly shift between genres. Whether it was laying down a pop music beat with a click track in Pro Tools, programming electronic drums with Simmons drums, or crafting dynamic fills for a rock record, Freese approached each project with precision and professionalism.
By his late teens, he had already recorded drum tracks for multiple artists, and his career was on a rapid upward trajectory. The same kid who once played backup for Disneyland performers was now sharing stages and recording studios with rock and pop royalty.
The Session Drummer to the Stars
Josh Freese’s name has become synonymous with versatility, precision, and an almost supernatural ability to adapt to any genre. As a session musician, his drumming can be heard on albums from artists as diverse as Guns N’ Roses, Nine Inch Nails, A Perfect Circle, The Offspring, Evanescence, Sting, Kelly Clarkson, and even 100 gecs. Whether it’s laying down a thunderous groove for hard rock, creating intricate rhythms for alternative and industrial music, or locking into the pocket of a pop music track, Freese has mastered the art of adaptation.
His ability to switch between genres with ease stems from his deep understanding of musical structure and feel. Freese isn’t just a drummer; he’s a musician in the truest sense. He listens for the right arrangement, considers the dynamics of a song, and understands how subtle changes in tempo, time signature, and drum tones can completely transform a track. Producers and record labels trust him to bring their vision to life, whether it’s with the precision of a drum machine, the energy of live drumming, or a hybrid approach using electronic drums and acoustic percussion instruments.
His time with A Perfect Circle was particularly notable. Playing on their first three albums, Freese demonstrated his ability to weave intricate drum patterns that elevated the band’s moody, atmospheric sound. His drumming on tracks like "The Hollow" and "Judith" showcased his ability to mix hard-hitting grooves with subtle, nuanced playing. He became a key figure in shaping the band’s sonic identity, blending rock with elements of classical music and electronic textures.
Meanwhile, his work with The Offspring tapped into his punk rock roots. Albums like Splinter and Rise and Fall, Rage and Grace feature some of Freese’s most aggressive, fast-paced drumming, proving that he could match the raw energy of punk music while maintaining impeccable timing. The heavy use of double bass on tracks like "Hammerhead" and the relentless snare drum attack on "The Noose" cemented his reputation as a drummer with both power and finesse.
Beyond traditional rock and punk, Freese has also ventured into electronic and experimental music. His collaborations with Nine Inch Nails required him to integrate live drumming with synthesizers, loops, and MIDI controllers. In the studio, he has worked with Ableton Live and Logic Pro to craft beats that blend organic and electronic elements, bringing a human touch to highly processed sounds. His work with 100 gecs is a testament to his ability to push boundaries, seamlessly shifting from classic drumming to glitchy, hyperpop rhythms that feel both futuristic and raw.
Freese’s reputation as a session drummer has also made him a sought-after live performer. He has played high-profile concerts with everyone from Sting to Devo, often switching between acoustic and electronic drum setups. His ability to control dynamics, execute complex breakdowns, and lock into any groove makes him one of the most respected drummers in the industry.
Touring with Legends
While his session work is legendary, Freese’s live performances are equally iconic. His ability to command the drum kit with flawless precision and relentless energy has made him a sought-after touring drummer for some of the most influential bands in music history. From the industrial soundscapes of Nine Inch Nails to the quirky, synth-heavy grooves of Devo, Freese has showcased his versatility and adaptability on some of the biggest stages in the world.
His tenure with The Replacements allowed him to honor one of the most influential bands in alternative rock, injecting their live shows with both technical prowess and raw punk energy. Touring with Sublime with Rome further highlighted his rhythmic mastery, effortlessly blending reggae-infused beats with rock elements to keep audiences moving. As a session musician turned live performer, Freese demonstrated a remarkable ability to transition between recording studios and electrifying concert arenas, seamlessly adapting to different musical genres, from pop music to rhythm and blues.
Freese’s command over various percussion instruments, from the snare drum to the ride cymbal, has made him a favorite among musicians and record producers alike. His use of electronic drums and drum machines in live settings showcases his technical proficiency and willingness to incorporate modern technology into traditional rock drumming. His ability to maintain tempo and dynamics, while adding his own unique groove, has earned him comparisons to legendary drummers like John Bonham, Steve Gadd, and Stewart Copeland.
In 2022, Freese was invited to perform at the Taylor Hawkins tribute concerts for Foo Fighters, paying homage to the late drummer with jaw-dropping performances that captured both technical precision and emotional depth. His connection to the band, however, went much deeper. Years earlier, Paul Westerberg had jokingly remarked that Freese joining Foo Fighters would be the “obvious” next step in his career. That prediction came true in 2023 when Freese was officially named the new drummer for the Foo Fighters, stepping into one of the most high-profile drumming roles in rock music.
With Foo Fighters, Freese brings his own unique energy, groove, and musical sensitivity to a band known for its powerful live performances. Whether driving home the anthemic choruses of their biggest hits or navigating intricate rhythmic breakdowns, he continues to honor Hawkins’ legacy while solidifying his place as one of the greatest drummers of his generation. His ability to blend elements of jazz, folk music, and pop rock into his drumming ensures that every concert remains fresh and dynamic.
Freese’s live performances are not just about technical mastery—they are about feeling, connection, and bringing songs to life. His drum kit becomes an extension of his musicality, with every cymbal crash, bass drum hit, and snare drum roll contributing to an immersive sonic experience. Whether playing in intimate club venues or headlining massive festivals, his presence behind the drum set remains both commanding and inspiring. His journey from a teenage drummer in Los Angeles to one of the most in-demand session musicians and live performers in the world is a testament to his dedication, adaptability, and unrelenting passion for music.
A True Drummer’s Drummer
What truly sets Josh Freese apart from the countless other drummers in the world isn’t just his impressive technical skill, but his unmatched versatility and professionalism. Known as the “blue-collar freelance drummer to the stars,” Freese has earned a reputation for his work ethic, dedication, and ability to seamlessly adapt to any musical environment, no matter how diverse or challenging. His long list of credits, spanning punk, alternative, pop, metal, jazz, and experimental music, shows his ability to fit in wherever he's needed. Whether it's a high-energy live concert, a laid-back recording session, or an experimental studio project, Freese is the drummer you call when you want to ensure the best possible sound. His gear—ranging from his DW drum kit, Simmons electronic drum set, to his beloved cymbals, snare drum, and bass drum—becomes an extension of his skill, as he brings a unique touch to every song.
Freese’s experience as a session musician has made him a go-to name in the music industry, from his work with bands like Crazy Town to his time in the United Kingdom recording for various projects. His ability to adapt his drumming to different genres is remarkable. Whether he's playing intricate rhythms for a jazz ensemble or creating complex beats for a cutting-edge pop rock song, his musicality shines through.
His versatility is also reflected in his approach to time signatures and tempo. Freese knows how to groove with the best, moving between the precise rhythms of rhythm and blues, the swinging beats of soul music, or the pulsing electronic dance sounds of modern pop. He effortlessly shifts from session work to live performances, always delivering a reliable and energetic sound that drives the beat forward. Notably, his attention to dynamics—knowing when to lay back and when to push forward—sets him apart from many others in the field.
Freese’s ability to work with an array of software programs, from Logic Pro to Pro Tools, showcases his understanding of the modern digital music landscape. His proficiency with drum machines and digital audio workstations allows him to seamlessly incorporate electronic elements into his drumming, whether it’s laying down a beat with a Simmons electronic drum set or using a MIDI controller to create intricate loops. His skill as a record producer and his collaboration with top audio engineers ensures that every track sounds its best, whether it’s for a song, a remix, or a full album.
Beyond his technical skills, what makes Freese truly stand out is his musical intuition. He is not just a drummer, but a musician who understands the nuances of every project he works on. From collaborating with songwriters and performers like Enrique Iglesias and Darlene Love, to being the backing force behind major artists, Freese’s ability to read the room and fit his drumming into the broader context of the song is unmatched. His experience with gear—from amplifiers like the Tama Starclassic Performer bass amplifier to the Leslie speaker for those classic Hammond organ sounds—helps him deliver the exact tone the song demands.
Bands You Didn’t Know Josh Freese Has Recorded With
Josh Freese is widely regarded as one of the most versatile session drummers in the music industry. His career spans several decades, and his name has appeared on some of the most influential and diverse records across rock, punk, alternative, electronic, and pop genres. While Freese is best known for his live performances with bands like A Perfect Circle and The Offspring, his session work is just as impressive and far-reaching. Let’s dive deeper into the bands and songs that have benefited from his unique drumming style over the years.
1990s: Laying the Foundation
In the 1990s, Josh Freese was quickly establishing himself as one of the go-to drummers in Los Angeles, making his mark on several iconic records. Freese first came to prominence as the drummer for The Vandals, one of the most influential punk bands to emerge from the West Coast. His drumming on Live at the House of Blues and Look What I Almost Stepped In gave the band their signature rhythmic backbone.
During this time, Freese’s talents caught the attention of Nine Inch Nails. He recorded drums for the band's seminal The Fragile album (1999), appearing on tracks like "The Day the World Went Away" and "We're in This Together Now," contributing his hard-hitting, industrial beats to the band’s groundbreaking sound. At the same time, he was a part of Devo’s 1990s-era comeback, drumming on Something for Everybody (2010), adding his unique flavor to songs like "Don't Shoot (I'm a Man)" and "What We Do."
In addition to these iconic acts, Freese also lent his drumming to a range of other influential projects, including Offspring's Splinter (2003), where his drum work can be heard on "Hit That." He also played with Weezer on The Red Album (2008), adding his powerful touch to hits like "Pork and Beans." Freese’s drumming versatility made him a sought-after session player in a variety of genres, from rock and punk to alternative and electronic.
2000s: Expanding Horizons
The 2000s saw Josh Freese elevate his profile even further. He recorded with a wide variety of bands and artists, demonstrating his ability to seamlessly move across different styles. One of the most notable projects from this decade was his work with A Perfect Circle on their highly regarded album Mer de Noms (2000). Freese’s complex yet smooth drumming on tracks like "The Hollow" and "3 Libras" was a key element of the band’s signature sound. His ability to blend precision with atmosphere gave the album a unique and haunting groove.
In addition to his work with A Perfect Circle, Freese worked extensively with Sting on his album Brand New Day (1999), helping to craft the album's sophisticated pop-rock grooves. He also collaborated with Chris Cornell on his Euphoria Morning (1999), laying down the rhythmic foundation for the hit single "Can't Change Me."
Freese’s session work in the 2000s didn’t stop with rock and pop—he also made notable contributions to electronic music. He recorded drums for Vast's Visual Audio Sensory Theater (2000), combining his live drumming with electronic beats and production for a unique blend of organic and synthetic sounds.
During this period, Freese became the go-to session drummer for some of the biggest acts in the music world. He worked with Marilyn Manson on Mechanical Animals (1998), contributing his beats to the industrial goth rock of tracks like "I Don’t Like the Drugs (But the Drugs Like Me)." He also made significant contributions to Ashlee Simpson's Autobiography (2004), drumming on the hit "Pieces of Me."
2010s: Continuing to Dominate the Session Scene
By the 2010s, Josh Freese had firmly established himself as one of the most versatile and sought-after session drummers of all time. His ability to blend seamlessly into any genre allowed him to work with a broad spectrum of artists, from pop superstars to indie darlings.
One of the most interesting collaborations of this decade was with Foo Fighters on their Concrete and Gold (2017) album. Freese contributed to the band's massive sound on tracks like "La Dee Da" and "Sunday Rain," showcasing his ability to seamlessly integrate into one of the world’s biggest rock bands. His skill in both heavy rock grooves and subtle, laid-back rhythms gave the album a dynamic quality.
Freese also worked with Bruce Springsteen on his The Rising (2002), where his drumming can be heard throughout the album, particularly on songs like "Lonesome Day." His work on this record provided a steady, emotional backbone to the Boss's anthemic rock sound.
Another key collaboration was with Kelly Clarkson on Since U Been Gone (2004), where Freese helped create the driving rhythms behind one of pop music's biggest hits. His drumming on "Since U Been Gone" helped propel the track into an anthem that defined the sound of early 2000s pop rock.
Freese’s work didn’t stop at the big-name acts; he also found time to contribute to more experimental projects. For instance, he recorded with The Big Pink on Future This (2012), where his drumming mixed electronic beats with rock grooves. His work with The Offspring on Rise and Fall, Rage and Grace (2008) also pushed the boundaries of punk drumming, providing the backbone to the album’s dynamic sound.
2020s: A Drumming Legacy That Continues
As the 2020s roll on, Josh Freese remains as active as ever in the music scene, lending his talents to new projects while continuing to collaborate with some of the biggest names in music. His drumming on The Go-Go’s 2020 album Down at the Soul Kitchen is a testament to his staying power in the industry. In addition, Freese’s contributions to The Smashing Pumpkins’ Cyr (2020) and other contemporary acts demonstrate that his skills remain relevant in the ever-changing landscape of modern music.
Freese’s legacy as a session drummer is firmly established, with his name appearing on records by artists like Guns N’ Roses, Tori Amos, The Eagles of Death Metal, Black Rebel Motorcycle Club, Trent Reznor, and many more. His extensive body of work continues to shape the sound of modern music across multiple genres, proving that Josh Freese is not just a first-call drummer—he’s a defining force in the music industry.